ShortsHD The Short Movie Channel Releases 2015 Oscar Nominated Short Films in Theatres

by Carrie Specht

THE_BIGGER_PICTURE_still-e1422561119223-625x375Following the tradition of ten years, the world’s only short movie channel, ShortsHD is responsible for the theatrical premieres of films in the Live Action Short, Animated Short and Documentary Short categories of the Academy Awards. This year’s Oscar Nominated Short Films opened in Los Angeles theaters and across the country on January 30. The Live Action and Animated shorts began their run at The Nuart in West L.A. and the Documentary shorts stepped things off at the Music Hall 3 in Beverly Hills. All three programs opened in Orange County at the Regency South Coast Village.

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Not to confuse you too much, but the Live Action and Animated programs are separate programs with individual admissions, whereas the Documentary shorts are separated in to two programs due to length but have only one admission price. Got it? Don’t worry, either way it’s worth the price to see these inspiring, innovative and thought provoking mini films. I’m particularly found of the animated ones, which show an unusually high caliber of quality. In past years there has been a clear stand out in the competition making it seem as if the other nominees were included just to round out the field. Not so this year. Each animated short is a true gem and could capture the coveted statue come February 22. I can’t help you out with your Oscar pools here, but I will tell you I’m leaning toward The Dam Keeper.

THE_DAM_KEEPER_stillI honestly got caught up with each and every short, believing I’d seen the winner after each one had ended. Which is particularly notable since most of these little wonders are very short – I mean really short. A Single Life is just two minutes long! I suppose it’s unfortunate for the filmmakers to be nominated in such a truly competitive year, whereas each could easily win had they been eligible a year earlier or a year later. But the situation is a blessing for those who enjoy animation at its best. 

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The entire program of animated films is 77 minutes in length and includes entries from Canada, the US, the UK, and the Netherlands. The styles (as usual) are diverse and the stories tend to be on the sentimental side with plenty of comedy thrown in to keep things from getting too heavy. After watching the five nominees (and four additional honorable mentions) I was elated. With most of the films running under seven minutes the program has a crisp pace that will keep your attention, and likely have you wanting more. A terrific program for all ages, this is a day at the movies the entire family can enjoy. So I encourage you not to miss this once a year experience and expose yourself to the art of animated short films. After you try it once you may discover that this could be a tradition worth continuing year after year.

Check your local listings for theaters and times. Tuesday, February 17 at 7 p.m. there will be a screening of the shorts at the Academy, hosted by Oscar-nominated filmmaker Sean Astin. Come Oscar eve, Saturday, February 21 at 9:30 PM you can catch these spectacular shorts at the historic Egyptian Theatre in Hollywood, located just blocks from the site of Sunday’s show. 

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Oscar Nominated Shorts in Theaters Now

Possessions

by Carrie Specht

The regular movie-going audiences generally overlook short films because usually there’s no sure way to see them. That is unless you happened to go to a movie in Los Angeles where one was linked with the feature film you went to see. Otherwise, short films are traditionally reserved for festivalgoers and even then it’s only those at a festival who go out of their way to attend a shorts program who see them. Fortunately, that has recently changed. For the past nine years the Oscar Nominated Shorts have been organized into a group presentation for public viewing, and this year is no exception. ShortsHD, the Short Movie Channel will be screening the 2013 Academy Award Nominated Animated and Live Action Short Films at the NuArt in West Los Angeles and at the Regency South Coast Village 3 in Orange County starting Friday, January 31. The films will be presented as two collective programs with separate admissions for each group, with the Oscar nominated Documentary Shorts set to open as a third program later in Los Angeles on February 14.

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The world’s only channel dedicated to short films, the Short Movie Channel (www.shorts.tv) is working with Magnolia Pictures to make this special presentation happen in over 250 theaters across the United States, Canada and Europe, with more than 400 theatres slated to screen the films during its theatrical release. These screenings will be the only opportunity for audiences to watch the nominated shorts prior to the 86th Academy Awards® ceremony on Sunday, March 2, 2014. After that you’ll already know who the winners are and have lost your chance at having an edge in your office Oscar pool. Truly a wide open category where anyone can win, this year’s nominated Shorts originate from all parts of the globe, representing the pinnacle of filmmaking from Japan, the UK, Denmark, Luxembourg, France, Spain, Finland, the UAE, Yemen, Canada and the United States.

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The Live Action Short Film Nominees run about 108 minutes all together and include That Wasn’t Me, a story set in Africa amongst child guerilla soldiers, Just Before Losing Everything, which is a French film about domestic abuse, Do I Have to Take Care of Everything, a family comedy from Finland, The Voorman Problem a high profile effort from the UK that stars Martin Freeman, and what I believe to be the front runner, the Danish fantasy/drama, Helium. Each of these films has tremendous production value and is well deserving of the recognition, but there can only be one winner and my money’s on Helium. I’ll refrain from saying why because I don’t wont to give anything away, and I truly want you to see these films for yourself. More than likely they’ll be the best things you’ve seen all year. And no doubt, there’s bound to be a future feature filmmaker or two emerging from the group in the coming years.

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Likewise, I was impressed with the Animated Short Film nominees. Running just a bit longer at 110 minutes, the diversity in this category is even more wide spread. With films ranging from the traditional to the innovative, do not be surprised if this is a tough one for you to make a conclusive call on. The first US submission, Feral is unique in its use of sketches and a style that suggests flowing watercolor. Whereas, the other US contender, Get a Horse is a product of the Walt Disney Company and uses a combination of old school Mickey with creative story telling to keep you laughing (honestly, you’ve never seen the world’s most famous mouse like this before!). At the same time, France’s Mr. Hublot has a dystopian whimsy that charms like no other nominee. Whereas, Possessions, a very styled entry from Japan is a feast for the eyes. And England’s Room on the Broom is a sweet tale with a sort of Toy Story-ish quality to its look.

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I recommend seeing these films in the theater while you can. It’s not often that you get the opportunity to see such high quality filmmaking with such entertainment value from all over the world. And they are shorts after all. So, if there’s one that’s not really to your liking all you have to do is wait a few minutes and something completely different will be along in no time. But I don’t think you’ll want to leave your seat or even turn away, not even for a moment. The films here may be short, but they have the power to hold a viewers attention with the full impact of a feature film, and then some. Given the choice of the typical offerings at the Cineplex and these short little beauties I’d pick the latter. After all, a satisfying five-course feast that out-entertains any single film far more deserves your hard-earned dollar than yet another potentially disappointing current release. You won’t be disapointed.

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For a sneak peak at The Oscar® Nominated Short Films 2014 program, go to http://theoscarshorts.shorts.tv/

Two Cinephiles Chat About Movies…

My sister, Cecelia Specht and I see each other about once a week. She usually stops by while I’m working on a post for this blog, or my website, ClassicFilmSchool.com. Inevitably we start talking about what I’m writing and that usually leads to one tangent and then another about films, old and new. Our conversations tend to cover a broad spectrum but the topic almost always remains centered around movies, the industry, the people in it, etc. Although we share the same appreciation for films we have two unique perspectives, as my actual work experience has always occurred behind the camera and since she’s an actress her work has occurred mostly in front of it.

I have always found these conversations to be entertaining and have thought to retain a record of them so that I could share them. Sort of in the same way people once saved letters in order to keep a record of their favorite correspondances. I now have. In this first publicly posted conversations between the Specht twins (I’m older by 7 minutes) we talk about an upcoming pubic appearance by recent Academy Award nominee Max von Sydow, other Supporting Actor nominees, past Oscar tie winners, Ingmar Bergman, Woody Allen, Lionel Barrymore, Victor McLaglen, we also theorize on why there are 9 Best Picture nominees this year and not 10, and of course we mention our favorite living Best Supporting Actor winner, Martin Landau.

Sorry to say my sister is unusually quiet here, so you may have to turn up the volume.